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ABOUT
Egyptian Wonderland
Egyptian Wonderland celebrated its 2nd anniversary on December 7th, 2022. What started out as a design for a children’s mural, quickly grew into a style that all ages have come to admire.
Egyptian Wonderland is a celebration of the achievements of African history. Celebrating the fantastic spiritual creation stories from the dawn of time. Bringing them back to life in technicolor with the hopes to inspire not only Africans from all over the diaspora who have forgotten their history but to all the people of the world who love Egyptian history. When we learn and understand the true history of different cultures around the world, we gain respect and admiration for each other.
I’ve been painting hieroglyphs off and on since I was a teenager, and recently I wanted to see if I could recreate ancient Egyptian hieroglyphs into a folklore story telling style. After 18 magical days of putting it all together, Egyptian Wonderland was born!
The initial style derives from folk art found in ancient cultures as well as in modern western ones. Often seen woven into garments or rugs, the simple geometric shapes are easy to make scenes and tell stories.
The colorful shapes compliment each other creating vibrant patterns that look great as paintings or digital art. The magic happened when I placed them on clothing and other objects, they took on a new life of their own. They bloomed into an assortment of wearable art and printed artworks designed to inspire and tell the creation stories of the ancient African masters of civilization.
Allow the ancient wisdom of the pharaohs from the dawn of history remind us of an enlightened, spiritual, and supreme moral compass we humans possess. May it inspire a new awakening of the magnificent African contributions to the world and help guide us all towards a bright future together!
Art for everyone has always been my motto with my art and now with Egyptian Wonderland, it gives me the perfect language to share it with everyone on many different economic levels
OLD WORLD ORDER X-HIBITION
My paintings are a personal journey into decoding ancient sacred hieroglyphs. Deciphering the alchemy of the glyphs and combining them into poetic patterns of energetic and synergistic artworks. The mystical hieroglyphs and their interaction between each other produce esoteric dynamism, similar to the way a circuit board transmits electrical information. Through conjure and summoning specific archetypes that generate omniscience frequencies intended to awaken our spirit and connect us to divine knowledge.
The ancient Egyptians understood the importance between the subjective and objective reality, and how it relates to our subconscious mind (underworld?). How our brains consist of two opposing hemispheres, the right and the left side. The pharaohs and initiates mastered the brain, liberating themselves from the mental animal portions (hence animal deities as Gods) of our minds. Granting them supernatural abilities to create some of the wonders of the world (pyramids).
Hieroglyphs are right-side brain functions that have a synthetical ability to connect directly to an eternally subsisting energy/mater. They are not a primitive aspect of linguistic evolution, as some believe, but rather deliberate alchemy of the right-side metaphysical realm. This understanding and practice lead to the greatest contributions to civilization, science, mathmatics, astronomy, writing, art, etc.
In my exhibit, “Old World Order X”, I also illustrate how the culturally disenfranchised African founders of civilization are responsible for many aspects of our modern world. How contemporary world cultures, religions, and esoteric teachings are adaptations of ancient Egyptian/Kemet mystery school disciplines. How our common source for all of the signs and symbols of ancient and modern Freemasonry are rooted in Kemet. It was through religion and Freemasonry that the symbols, national flags, secret societies, corporate logos, and so on, were instituted in Europe and America.
Several of my paintings have become Historical documents that elucidate the sources between the ancient and modern world. The signs are hidden in plain sight and the original meanings rarely change over time when guarded by disciples of the esoteric knowledge, and when we become conscious of these codes, we learn the language.
In this collection of artwork, several paintings examine the sign and letter “X”. Where it comes from and how it manifested itself into the modern world. Beginning with the pharaonic nobility and ascension of Osiris/Ausar, the original son of God. The X was his symbol, and over time became a sign of power and authority (the crossed arms, crook and flail). His bones/mummy became the symbol of divinity and resurrection in the ancient world. Millennia later, the X became the appropriated symbol for secret societies, Skull and Bones, pirates, and others who seek to rule the new empires.
"I believe that If we are to save ourselves from possible species extinction and draconian authoritarian rule, we must begin to see the historical lineage and connect the dots. We must peel back the layers of deceit and see the world (signs) as it is. We must expose those who are in control behind the scenes. The ruling elite are still telling our governments and world leaders what to do". Several of these paintings are political artworks dedicated to deciphering these secrets. But mostly, I paint hieroglyphs to conjure a higher spiritual awareness that I hope will inspire me as well as others to join in the universal awakening.
